Dora’s Birthday [Part I]

It was Dora’s birthday, and everything seemed to be going wrong.
When she woke up in the morning and walked to the bathroom, she stubbed her toe and it really hurt. Her mother tried to find some ice for it, but the ice-box was empty, and so she made Dora hold a cold can of beans on her toe instead. Dora pointed out, as she held the can, that it was leaking. Her mother said a bad word, apologized, and got a cloth and some soap to clean up the bean-juice from the floor.
Later, after Dora had had breakfast – with her toe still throbbing – her father came into the room and said “Happy birthday, Dora-Dear! Seven is huge.” He lifted her into the air and kissed both her cheeks. When he put her back down on the floor, though, she slipped on the wet area where her mother had washed and fell right down on her butt. That hurt too.
It was a school day, and Dora was looking forward to having everyone sing to her and lift her up on a chair. She skipped upstairs even though her behind still ached and her toe felt swollen. She was about to put on her favorite pair of red shoes with blue stripes on them, when she saw her dog, Brownie, look at her guiltily from the doorway. Dora knew that look. She peered into her shoes, and sure enough, Brownie had left a big puddle of puke in one of them. Dora yelled at Brownie, who got scared and ran away. She regretted it afterwards, but it was getting late, so she put on her second favorite pair of shoes [white with green polka-dots] and went downstairs where her parents were waiting to drive her to school. She stuck her tongue out at Brownie, who was sulking underneath the coffee-table, as she went out the front door.
At school, things seemed to be looking up; all her friends wished her a happy birthday, and Mrs. Peterson, the first grade teacher, smiled warmly and promised that Dora would get an extra chocolate chip cookie for dessert at lunch-time. But then, at lunch-time, the dessert wasn’t chocolate chip cookies after all – it was vanilla ice-cream, which Dora detested, so she didn’t end up getting any dessert at all.
When Dora got home from school, she found Brownie hiding under her bed. She lured her out with soft cooing noises and stroked her, saying she was a bad dog for puking in her shoe but she she loved her anyway. Then it was time for Dora to leave again with her parents. They were all going to Dora’s grandparents house for a nice dinner, a yummy cake, and what Dora was looking forward to most: presents!
Dora was sure things were finally going to go well now. After all, what more could go wrong? She’d had her toe hurting in her shoes all morning, her butt was still feeling very bumped from the fall, her shoes weren’t as comfy as the ones she really liked, and she hadn’t had anything sweet at all today! But now things would be fine, because things were always fine at Grandma and Grandpa’s house.

Seeing The Milky Way

I was ten when my family and I took a trip to the Sinai Desert in Egypt. We drove down all night long and arrived in the morning. We hadn’t booked a hotel, since we weren’t planning on sleeping in a big resort on the beaches of the Red Sea. No, we preferred to find one of the small groups of huts to rent out – “chushot” as they’re called – and rent ourselves a couple of huts for the week we were planning on staying.

We found the most perfect spot. A man who had just started up his hut rental spot was glad to welcome us as his first customers. He was a chef and had studied in France and so despite our protests he cooked a couple of serious meals while we were there. The huts were rudimentary, but then that’s what we’d wanted – there were a couple of sandy mattresses and thin blankets in each hut, and the windows were just shutters which we threw wide open during the night, trying to will a breeze to enter the stifling rooms. The only time we ever spent in those huts was at night, to sleep. During the rest of our days and evenings, we enjoyed our secluded and empty beach – no one in sight except for us and the manager’s friends who visited him from Nueba, the nearest city. We snorkeled, saw exotic fish and beautiful coral reefs. We lay in the sun, we played backgammon, we walked around the markets of Nueba – it was the most restful and idle vacation I’d ever been on, and I haven’t been on a similar one since.

The trip is a blur to me, the memories all fading into each other and forming a short montage of what we’d done during that week. However, one night stands out crystal clear in my memory.

The moon rises not from the sea, but from the mountains in Sinai, and so it seems to rise very late because it takes it so long to rise above the mountains and be visible. One night, the full moon, it rose very late. Until it rose, the sky was this vast and endless velvet blanket above us, sprinkled with a million stars, all twinkling brightly. We were so far away from the big hotels and from the city that when we extinguished the lamps we had, we could see the stars perfectly. We could have counted them one by one if we’d wishes. I felt so small, so insignificant that night, because I saw The Milky Way – that ribbon of stars that is the basis of our galaxy’s name. It was so plain and easy to see – right there, above me, a river of stars so dense they seemed like a long white cloth spread across the heavens. I’d never felt or seen the full scope of the sky like that before.

It was, to say the least, overwhelming. But there is something wonderful in looking up and seeing how big the world really is and how small and insignificant your life is. There’s a sort of relief to it.

A Painting of Marie

The painting was by an artist whose name I don’t remember. I never looked at the name of the painting. I don’t remember what gallery it was in, nor what country the gallery was in. I don’t even remember how old I was when I saw it, only that it had to have been in the last few years. Still, despite all this, the painting is clear in my mind’s eye as if it were hanging in my room.

In the painting sits a girl. She looks like she’s in her early teens, just blossoming into womanhood. She is sitting on a nondescript and unimpressive wooden chair, and the backdrop behind her is just a gloomy sort of brown. It’s unclear where she is, nor why she is sitting down. I named her Marie.

Marie has skin the color of milk chocolate- dark, but not very. Her hair, black as coal but looking a little matted, is tumbling around her shoulders, though I get the impression that it’s normally pinned in a quick bun and has only just tumbled down. Her lips are red and full, and she’s not really smiling, nor is she frowning. She’s simply gazing into space, not focused on the viewer of the painting but rather seems to be looking right over your shoulder, at someone behind you. Her eyes are a wonderful dark brown and seem intelligent but tired.

She’s wearing a blue dress with a white apron over it. She looks like she could be a maid, or perhaps a shop-girl sometime in the 1700s in the United States. For some reason, I feel like she’s a dweller of New Orleans, and I can picture her running barefoot through the dusty streets, maneuvering herself between pirates, privateers, salesmen and prostitutes.

Her hands are folded on her lap, and it looks like they’re not used to being idle in this manner. They look rough and work-weary, just like her.

When I saw Marie, I sat before her for maybe an hour, maybe more, just looking at her. I wanted to speak to her, hear her thoughts and dreams, laugh with her, walk down the streets of her life with her. But she stayed in her painting, caught forever by an artist in this one moment of repose.

Wet-War

Clifford had drawn his gun. Things were bad if he’d reached that point: he hated drawing his gun unless it was absolutely necessary. Guns meant needing to aim. Guns could slip out of his grasp if he was distracted. The grenades attached to his belt were his most preferred weapon, but he’d run out of the lot of them. He knew he’d been hasty and he cursed himself for a fool. He should have known better than to waste the grenades all at once.

There was no going back now, however. Clifford crept down the alleyway he was in. There was a tall wooden fence on one side of him and red bricks belonging to the big building next to him on the other side. Approaching from the alleyway, he thought to himself, could be a good move or a bad one. Hopefully, the one he was hunting wouldn’t think to ambush him quietly from the rear. Clifford was sure his nemesis hadn’t seen him enter the alleyway in the first place, and so he believed that the possibility of being surprised wasn’t a probable one. This calmed him, and he held tightly onto his gun as he tried to make as little noise as possible.

This was the final showdown between him and his enemy. It had to be. The two of them had been fighting this war for years, and it had gotten the both of them in some serious trouble in their lives. They had agreed that this was the last fight they would have. Clifford fingered the scar on his lip and remembered how he’d gotten it the last time he’d come face to face in a struggle with the enemy. He hoped to avoid such injuries this time around. It wasn’t easy explaining to the authorities how he’d come by his scratches and bruises.

Suddenly, a wild yell split the still summer air. Clifford registered a shadow moving quickly towards him around the corner of the building. He burst out of the alleyway, and without pausing to aim carefully, squeezed the trigger on his gun. He felt, in the same instant, a grenade burst at his feet and he slipped and fell, still trying as hard as he could to keep the gun steady.

“Clifford! Jasper!” Another yell, the familiar sound of the authorities, broke through the fighters concentration. A woman, Authority herself, burst out of the red-brick house. She placed her hands on her hips and looked down her nose. “I told the both of you that today is NOT the day for one of your water wars! We have company for dinner, and I need you both inside, now.“

“Aw, but Mom!” Clifford whined. “We were just getting started!”

“If you were just getting started, why are there burst water-balloons all over the backyard?” His mother shot him a look that could have frozen stone. “Inside, I said. I mean it.”

Clifford looked at his nemesis, his brother Jasper, and sighed. “This isn’t over,” he muttered. Jasper grinned, good-natured, and answered “We could have kept going if you hadn’t wasted all your water balloons right at first – then Mom wouldn’t have noticed a thing.” With an evil gleam of humor in his eyes, he skipped into the house behind his mother.

Clifford shouldered his big water-gun [it had three tanks that could be loaded!] and followed Jasper into the house. At least, he thought, I didn’t fall and split my lip this time. Mom being mad is better than three stitches at the hospital.

A Passion For Fantasy

The first fantasy novel I read was the first of the Harry Potter series: Harry Potter and the Philosopher’s Stone. I was young enough then that my mother was reading it to me, at my request – the book seemed long and daunting to the nine year-old girl that I was. About twelve chapters in, though, I started cheating- I would keep reading after my mom would put the book down and say good night. A few chapters later, I felt guilty and confessed to my mother what I had been doing. She laughed and let me read it on my own from then on. That was the first average length book that I read on my own.
Today, it seems so funny to me, having read series upon series comprising eight-hundred page books. Fantasy novels tend to be long, full of twisting, complicated plots and myriad characters. One of my series even has a section listing the “Dramatis Personae” at the beginning of it, lest the readers should forget who’s who.
Too many people criticize fantasy novels for their themes: idealized past, patriarchal societies, a suspicious appreciation of monarchic or socialist systems of government. The ironic and critical presentation of such systems which is apparent in so many of the books is usually overlooked entirely.
Moreover, there is so little appreciation for the massive amounts of research and imagination that goes into the writers’ work. Fantasy writers create whole worlds from scratch, from political entanglements to the irrigation systems, from magic spells to religions, from the layout of the land to the very flora that grows in it. When they’re not building their worlds, they’re researching ancient warfare, the hundreds of different deities that exist in current and ancient religions, the way actual monarchies functioned once upon a time and much more. And this is just for writers of this type of fantasy – there are so many different types and sub-genres that they’re hard to keep straight, and critics often don’t bother to distinguish them whatsoever.
I’ve held these opinions close to my heart for as long as I’ve been reading fantasy, and I have never had the opportunity to research these phenomena. Why is fantasy so disdained? Why isn’t it appreciated, but rather looked upon as a genre only for children and teenagers and unsophisticated readers? Why are the writers of fantasy not praised for their incredible writing style at least? Why do fantasy novels reach the best-seller lists, but then get beaten down and criticized?

I wish it weren’t the case, that so much of the fantasy genre be treated as sub-par by so many – especially when books that are fun reads but by no means well-written become best-sellers overnight.

Forever Graveyard

In the silence of the night, the spirits emerged.

Some of the spirits were elderly men and women, and they simply sat upon their graves, unmoving. They’d had a lifetime of movement and felt they’d earned their eternal rest. Others, the younger spirits mostly, frisked about, dancing and playing with the shadows and with each other. Ghostly mothers held onto equally ghostly babies, and ghostly fathers held the hands of young and ghostly children. Some families reunited, as they did every night, at one of the picnic tables in a far corner or between the trees amidst the graves. Some old lovers replayed their quarrels and affairs, frowning and smiling accordingly.

All in perfect silence. Someone walking outside the graveyard wall wouldn’t have heard a thing besides the rustle of the leaves in the wind or the scurry of a squirrel across the grass. If someone were to look over the wall, however, things would have been different.

It was very fortunate, the spirits of the graveyard agreed again and again, that there was a wall built around this particular graveyard. It was much too high for anyone to be able to peer in, and it had no easy footholds for a determined climber to take advantage of. The few who had managed to look over – by bringing a ladder, or by standing on someone’s shoulders, say – had been in such shock that they’d either never spoken of what they’d seen or had been carted off to a small padded room somewhere if they had spoken of it.

So the spirits of the graveyard replayed their lives night after night, laughing at the same jokes and dancing the same dances, waiting for something to change. But it never did. They never got bored, though. Their concept of forever was no different than their concept of now.

The only noteworthy events were when new spirits joined the old, and when that happened it was a grand occasion for all. It made even the new spirits forget what a different, what a sad, party was being had for them the next day or the day after that.

Monica Loved Max

Many stories begin with the words “it all began when…” Many stories are unrealistic by their nature, but that line is one of the worst ones to begin a story with. Nothing begins at a certain moment. Very rarely can we see the point in time when a transition begins, when a story starts in our lives. Looking back, we can never pinpoint the moment the tides changed in our favor or the exact time we fell in love or the precise instant when we changed.

No, most often, we realize as we look back that something has been changing or happening for quite  a while.

So it is for me. I don’t know when I realized I was in love with Max, nor do I remember when exactly I fell in love with him in the first place. I remember when we met, I remember how we got to know each other and I remember being more and more drawn to him. Then, somehow, sometime, I realized I was in love with him.

“Mon’,” he’d say. “Why are you looking at me like that?” He was so clueless. He never understood the looks I gave him, the looks with which I was trying to fathom if in his gaze was an emotion anything like mine.

It was never a subject between us – the emotions we felt for each other. right from the beginning of our friendship we acted as if nothing could or would ever happen between us. We confided all and beyond in each other, told each other the absolute raw truths about our opinions and feelings for others and we quickly knew each other better than anyone else knew us.

But I loved him. Somehow, hearing about his liaisons with other women, about his love and respect for his father and his opinions on how children should be raised – it all made me love him. He, the person he was, made me love him.

He never got to know it, though. I never worked up the nerve to break that unspoken rule of pure friendship between us, and then he decided one day to explore more of the world. The last time I heard from him he was going to take vows of silence and join a monastery so he could understand the practice of religion in such places and write an essay about it.

So while I can’t say when it all began with Max, I can definitely say that it all ended when he hugged me goodbye, kissed my forehead and smiled at me at the airport. It’s sad, though, how easy it is to pack years of equal friendship and one sided love into a few short and simple sentences. You’d think it wouldn’t be possible to fit a world of emotion into the short statement: I loved Max, and he was my best friend until one day he left. But you can.

Rest and Relaxation

I have officially had my last day at work! Now it’s time to rest, have some time for myself and basically chillax. As they say. Well, as annoying people say. So basically, for the next few weeks, this is me:

You know, minus the fur and pointy ears.

“Journal”

According to Google, a definition of the word journal is: diary: a daily written record of (usually personal) experiences and observations.

Such an inadequate definition. The word journal is magical. It conjures up the image of beautiful, classic script embossed in gold upon a leather bound ledger, filled with heavy pages. Another image that comes to mind is the word stamped simply, in bold typeface, on pastel colored notebooks of comfortable size, inviting casual penmanship between their covers. Journal can even raise the picture of a cartoon character brightly painted across the cover of a small notebook, just begging to be filled in with colorful crayons and bright stickers.

Journals are wonderful. They are pages for privacy, of gathering the thoughts that dash across our minds throughout the day. They are a haven, a safe harbor in which to pour out our frustrations, sadness and difficulties. They are a comfort, inviting us to share happiness and pride or rejoice in our blessings and accomplishments. Journals can be friends, sole confidants, secret lairs and hidden treasures.

Journal is a beautiful word.

Blllrraghl

In acting classes, there are always those extremely odd sessions where the teacher tells everyone to start speaking gibberish. I have to say that apart from being one of the sillier exercises a person can endure, it is also extremely interesting. I know that it might sound strange to say that a bunch of people standing around and making noises that are reminiscent of two-year olds’ babble is interesting, but it is.

Let me try to explain my point. People communicate by tone of voice and facial expression as well as by speech. For instance, a person can say the word “sure” and mean a few different things. They might mean “sure, yeah, right” in a sarcastic way, they might mean “sure” as in “okay,” or they might mean “sure” as in “oh, alright…” The only way we can distinguish between the possibilities is by the tone of voice and the expression used, as well as the body language the person uses while he or she is speaking.

The exercise of speaking gibberish is fascinating, because people can actually enact whole scens of love, friendship, anger or betrayal by not using any real words at all, but rather by using body language, facial expressions and tone of voice to make their meaning come across. It’s a terriffic exercise, and even though it’s hard to let yourself go and make pointless sounds for an hour, there’s a catharsis in being able to throw away all dignity whatsoever in such a performance.