Archive for October, 2009|Monthly archive page
Everything Can Change
Everything can change, between one moment and the next. Anything can cause the change, as long as it triggers something within your mind. It can be a snatch of song, floating from a car window that reminds you of an event from the past. It can be the way a leaf falls from a tree, looking just like a similar one that you saw a week before. It can be just a few words of a conversation that two people walking by your are having.
Everything can change, between one moment and the next. The sky, that looked so blue and wonderful can turn into a scorching, painful color. The breeze, that felt so pleasant and cool and sweet, can now make your hands feel like ice. Your very insides, which felt so balanced and serene, can turn into a flurry of angry bees, buzzing and stinging and making your muscles clench.
Everything can change, between one moment and the next. It’s impossible to shut out those day-to-day coincidences that meet our eyes and ears and remind us of things. So, we accept the fact that everything can change. We accept the fact that our emotions are irrational, strange things. We accept, and we live with it.
Everything can change between one moment and the next. Sometimes, things change for the worse. But when things change for the better, in the space of a breath, it feels like a gift.
A Thought On Writing
Although I’m writing about essay-writing in this particular instance, I’m pretty sure that this happens in creative writing as well.
There is a point, while writing something, when your brain simply goes numb. You catch yourself staring at the computer screen or at the notebook in front of you, and for a moment you’re almost sure that no thoughts have gone through your head for the past two minutes. Of course, if you think about it, you realize that you’ve been thinking the whole time, but not about anything profound or interesting – definitely not about what you’ve been writing. Rather, you’ve been thinking about your next meal, or the dress your friend just bought, or the trees with their pretty autumn leaves outside.
It’s a strange sensation – almost like your mind is betraying you, for once it gets to this point, it’s often really hard to get your mind to function properly once more. You may need, at this point, to get up and stretch and do something completely different. If you try to stare at the page for much longer, you’ll fall into despair and won’t manage, under any circumstances, to write something you’re pleased with. It’s a tricky situation, and one which I’ve been reaching over and over again in the past couple weeks.
The real problem is when you don’t let yourself take that break from whatever you’re writing. It’s a problem I repeat too much. I need to learn to listen to my brain, and when it tells me to stop and get up and do something else, I should do it, instead of sit and force myself to write for another half hour or hour or two or three. Having said that, I am, of course, going back to my extremely poorly written essay, even though my brain is going fuzzy. Alas, I must ignore my own conclusions for tonight.
Maggie
Maggie’s face was compassionate as she looked at the girl sitting across from her on the plastic chair that’s universal to every doctor’s office. Her face crinkled in a slightly pained smile as the girl spoke. She noticed a glimmer of tears in the girl’s eyes and felt wetness begin to form in her own. She spoke in a soft voice that quivered with emotion and tried to convince the girl that her words were true.
Maggie’s hair was black and short, girlishly cut in a way that framed her bespectacled face nicely. She had the lines of wisdom on her face, testimony to a lifetime of experiences, both good and bad. She couldn’t help herself – when the girl rose to go, she clasped her hand for a moment, looked at her intently and beseeched her to come back if she needed anything.
The girl, Maggie knew, wouldn’t have it easy. There was no way that the following days would be easy, and Maggie knew with even more assurance that the coming months and years wouldn’t be easy too. Still, she thought she saw an echo of her own will to survive in the girl’s eyes, a small glimmer of the fighter buried in her. Maggie hoped she would be okay.
As the girl left the office, Maggie sat down heavily in the cheap swiveling chair in front of the tiny desk, barely large enough to hold the computer screen and the keyboard. A moment later, a curly woman with heavily made up eyes and bright red lipstick poked her head around the door, which had been left ajar.
“Ready for your next client, Maggie?” she asked, in a harsh, bored voice. Maggie raised her head, sighed, and nodded, taking the chart the woman was proffering at her. She gather her emotions and put a smile back on her face. As another girl walked through the door, she became all business again.
“Yes,” she said. “How can I help you?”
Missing It
There’s a certain sound that keystrokes make. It’s a sound I hear a lot these days, but usually the sound’s only result is long papers about Antigone or Oedipus or Henry VIII. Not that those results are unsatisfactory – not in the least. In fact, my brain feels as if it’s expanding with every day, acquiring more material, whether useful or not, and using it to fill in the gray corners that have remained as empty and barren as understocked warehouses in thriving cities on the verge of poverty.
However, it’s been a great long while since I’ve associated the clack-clacking of fingers on keyboard with something creative. I feel like while one part of my brain is being used more and more and is stretching its limbs and crying out for joy, another part of it is slowly shrinking into the corner, scared, intimidated. The fear isn’t only from this new intellectual beast growing up near it – it’s also from the tremendous amount of talent that my eyes see every day, in the minds and eyes of other people. The school and environment I’m in is full of people who are writers at heart – many are genuine and love writing, although a fair few are also merely intellectual snobs who feel that knowledge is power that must be shown off, not just consumed. But those aren’t the intimidating ones – those are the ones I just choose not to associate with.
Still, the talent that is rampant on this campus is astounding and my creative brain seems to shrivel up with terror at the thought of being inadequate. But I miss it. I miss that part of me. I miss writing stories and poems that don’t rhyme. I miss writing character studies and wracking my imagination for new things to write about, new styles to try out, new places to describe.
I’m coming back. In a big way. I have to, if only to preserve my sanity and give myself something completely outside of my day-to-day struggle with books and papers and people to focus on. I hope I manage to stick by this promise – I’m coming back and I want to write something, even just a paragraph, each and every day. I know that I can’t expect anyone to read my words when I don’t have sufficient time to read theirs as well, but I’m going to strive to meet that goal too. When I was at home, I managed to read so many posts a day and I enjoyed it. I want to manage to read at least once or twice a week the full range of your – all my wonderfully supportive friends’ – blogs and catch up with you as well. I hope I can keep my promises this time. In the names of Dionysus, Henry VIII and Alan Turing I’ll try.
Now
Right now. A moment that doesn’t mean much at all. There aren’t many moments that mean something specific or momentous. But right now I’m feeling. Just feeling something. Listening to the newest album of my very favorite band and savoring every note that goes through the headphones and into my ears. Looking at the little brown and black cardboard notebook in front of me and looking forward to picking up my perfectly-pointed black pen and writing in it, because it says the word “journal” on the front. Feeling the perfect and perfectly strange warm and cold winds flowing through the one open window in my dorm room and feeling that I’m perfectly dressed for both – tank top and long pajama-bottoms.
The music pierces my very core, feels like it’s flowing right into my brain. There is an atmosphere that surrounds me, an unclear one that simply points at a new type of normalcy that I’m not yet used to. The space is still too new for me to feel utterly at home in, but still, my bed in its new sheets and with the new duvet spread on it lies behind me, inviting and warm, a place that feels like my own little den.
There’s absolutely nothing special about this moment. But that’s the point. It’s just now.
Being Other
A toss of the hair, a gesture with the chin, a purse of the lips – these will suffice to change a person utterly from one thing to the other. From a shy, timid, slightly awkward person will emerge an attitude, a style, a replica of the actor onscreen. Confidence has nothing to do with it at that point – once someone changes, they’re in the moment and no matter what happens, the attitude will remain, the stance will stay upright and the chin raised.
Such small things, such subtle mind-shifts and twists – on such things hangs the balance of a show. But once a person is out of self, succumbing to that infamous of Greek gods, Dionysus, and loses the identity of the self, then there is no pause, no doubt, no fear. Nonexistent wine gives the head its buzz and the body its confidence; nonexistent masks take over the face and expression; nonexistent muses come and spark drama or comedy at the needed times.
Being other is liberating. The fear before succumbing to that loss of self is overwhelming, almost paralyzing. The moment the threshold is crossed, however, the fear evaporates like a magician’s rabbit – instantly, utterly, although still biding its time somewhere hidden where the audience can’t see it.
Being other is mastering fear. Being other is being free.
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